unrealized scripts

Wednesday, May 25, 2005

skull and bones

the film opens with a close-up shot of a dank moist gutter which pulls back to reveal a dank moist street that looks like a street that jack le rip would sashay down in london, but it's actually a street in the city that yale is in. we see a skinny man grinning wryly (george w. bush) hurrying along the sidewalk and into an alley. he pushes through the garbage cans, tom cats, and bums sucking one another off, and approaches a splintery door that has one of those sliding peep-things that you would probably see in an episode of the sopranos. i'm speculating here since i've never seen that program. three quick knocks and the slider slides open to reveal a pair of glinty, demony eyes. "if you've got the skull, i've got the bone," george w. says while motioning toward his genital. this is the right thing to say because the slidey thing slides shut, and the macabre door creaks open with a sound effect from the "thriller" video. george w. walks in the musty room and approaches a stainless steel slab. there is a gross ol corpse on this slab. george grins wryly. ok - here is where the build-up ends and the necrophiliac porn begins. i'm not going to give the necro-erotic details here, though i will say that there is a cameo by a young bin laden, and i've never seen a more illegal VHS tape in my life.

2 Comments:

  • At 10:02 AM, Blogger darkness said…

    could John Kerry be in the corner, shooting a loin-clothed Vietnamese teenager in the back with the viscous emission from his standard-issue man-rifle?

     
  • At 11:00 AM, Blogger scarnsworth said…

    yes! ;that's a grand idea. up the river: the true story of john kerry. i love that man.

     

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